In Making Movies Sidney Lumet talks about camera height as part of his design for 12 Angry
Men (1957):
I shot the first third of the movie above eye level . . . the second third at eye level, and the last third from below eye level. In that way, toward the end, the ceiling began to appear. Not only were the walls closing in (due to progressively longer lenses) the ceiling was as well. The sense of increasing claustrophobia did a lot to raise the tension of the last part of the movie.
Men (1957):
I shot the first third of the movie above eye level . . . the second third at eye level, and the last third from below eye level. In that way, toward the end, the ceiling began to appear. Not only were the walls closing in (due to progressively longer lenses) the ceiling was as well. The sense of increasing claustrophobia did a lot to raise the tension of the last part of the movie.
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